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You know, Bollywood’s “dream projects” keep getting cancelled one after another. The latest one to get dropped is Rajkumar Hirani and Aamir Khan’s big Dadasaheb Phalke biopic. It was supposed to be a huge tribute to the father of Indian cinema, but after months of creative differences between Aamir and Hirani, the film has now been shelved.
Apparently, Aamir; being the perfectionist he is; wanted the script exactly his way, while Hirani didn’t want to compromise on his style. Neither of them backed down, and in the end, the project just quietly died before shooting even started.
This is actually the second big setback for Aamir. His superhero film with Lokesh Kanagaraj also didn’t take off and got shelved. With two back-to-back cancellations, Aamir suddenly doesn’t have much on his plate.
Hirani, on the other hand, isn’t wasting time. He’s already working on a new drama, and buzz is that he may cast someone like Ranbir Kapoor or Vicky Kaushal; actors who fit into his style without trying to control things.
So, while Hirani is moving ahead, Aamir’s habit of wanting full control seems to be creating problems for him. And sadly, Phalke’s biopic, which could’ve been such a special tribute, is delayed once again because of Bollywood’s behind-the-scenes drama.
Ranveer Singh’s much-talked-about action spectacle Dhurandar is fast becoming a production headache. What was once mapped out as a 130 day schedule has ballooned into an exhausting 180-day slog with the finish line still nowhere in sight.
Sources say constant reshoots and dissatisfaction with earlier material are the main culprits. The director and creative team have reportedly struggled to pin down the tone and execution of major action set pieces, leading to costly re-filming.
The damage? A jaw-dropping budget surge from ₹300 crore to ₹350 crore, and that’s before factoring in P&A costs. Frustration is mounting on set, with crew members privately calling the project “bleeding money without a clear vision”
Dhurandar Delayed Again and Don 3’s Future Hangs in the Balance.
Initially aiming for a 5th December 2025 release, Dhurandar will now arrive sometime in the first quarter of 2026 pushing Don 3 into yet another delay after several previous setbacks.
For Ranveer Singh, the stakes couldn’t be higher. Following a patchy box office run in recent years, Dhurandar is viewed as a high-stakes comeback vehicle. The burning question remains will this troubled mega-production restore his box office glory, or join the list of Bollywood’s most costly disappointments?
Bollywood’s mega-action thriller War 2 is reportedly caught in a real-life battlefield, not between the film’s heroes , but between its lead star Hrithik Roshan and director Ayan Mukerji. Sources close to the production have revealed a growing rift over the film’s runtime, final cut, and even control over the direction of key scenes.
The first cut of War 2 was a massive 3 hours 10 minutes, which Hrithik allegedly found “overlong and indulgent.” Ayan reluctantly trimmed 7 minutes, bringing the runtime down to 3:03, which was certified by the CBFC. But the real drama began after certification, when Hrithik reportedly insisted on cutting another 10 minutes, arguing that a tighter narrative would enhance the film’s pace and commercial appeal.
The final runtime now stands at 2 hours 53 minutes, and Ayan is said to be “deeply disappointed” with the outcome.
“He feels the emotional spine of the film has been compromised,” said an insider. “This wasn’t part of the creative process. It was a power move. At this point, the film reflects Hrithik’s version, not Ayan’s.”
Adding to the tension, whispers from the set claim that Hrithik ghost-directed multiple action sequences, stepping in to choreograph stunts, redesign camera angles, and override creative choices , often without formal discussion. While Hrithik’s experience with action films is unquestionable, insiders say Ayan grew increasingly uncomfortable with the actor’s behind-the-scenes control. “There were days when the crew didn’t know who to look to for direction, “Hrithik or Ayan,” shared one insider. “It became uncomfortable, especially for the ADs and technical teams.”
The friction has now spilled over into post-production and marketing, with Ayan reportedly distancing himself from the film’s promotional activities. YRF’s top leadership is said to be mediating to avoid further escalation.
With War 2 poised as a major chapter in the YRF Spy Universe, expectations are sky-high but the off-screen drama is starting to eclipse the film itself.
For now, the fiercest battle in War 2 isn’t choreographed. It’s happening in the edit room.
Sandeep Kewlani and Abhishek Kapoor seem to have delivered a film that struck the perfect balance of patriotism and entertainment. Absolutely , every moment keeps you hooked, making that popcorn even more enjoyable. With a gripping screenplay, breathtaking visuals, and heart-pounding action, it’s an unbeatable combo. It’s amazing how impactful writing can elevate a movie. The team of Sandeep Kewlani, Aamil Keeyan Khan, and Niren Bhatt deserve every bit of appreciation for crafting such a heartfelt story. As an Indian it makes us so proud to have a movie which captures the essence of dedication and heroism beautifully. B-Praak which adds a layer of emotion and depth competing to the film’s patriotic vibe.
PERFOMANCE;a bigger vision to it.
Akshay Kumar delivers one of his career-best performances in Sky Force, rivaling his work in Airlift and Padman. His commanding screen presence makes you fall in love with his craft all over again. His scenes with Sharad Kelkar are captivating, and he embodies the essence of an Air Force officer with perfection, especially in uniform.With top-notch acting, a powerful voice, and emotional moments, Akshay silences the critics who doubted his abilities.This performance is a masterclass in proving that he’s still at the top of his game.
Akshay Kumar has delivered an outstanding performance, adding a strong human touch to his character. It felt incredibly real and relatable to watch him on screen.
Box office numbers are secondary, but what truly stands out is the unanimous appreciation for Akshay Kumar as an actor. Every eye that witnessed this phenomenon acknowledged Akshay Kumar’s performance throughout the film. His remarkable comeback has been praised widely, delivering one of his finest performances—a moment every Akki fan had been yearning for in their hearts. If his first National Award was debatable, this time, there’s no question—he truly deserves it. Just give it to him!
Why are neutrals diving deep into the Sky Force vs Fighter debate?
Sky Force is being widely praised as a far superior film compared to Fighter. Audiences have expressed their preference for Sky Force, referencing its emotional depth and compelling story, which Fighter lacks. Even Taran Adarsh mentioned in his review that ‘it’s not just another Fighter,’ making it clear that he, too, found Sky Force more impactful. In terms of performances, Akshay Kumar and Veer Pahariya delivered standout acts, surpassing the efforts of the cast in Fighter.
The comparison is justified since both films share the same theme, with the primary difference being their budgets. Despite being a medium-budget film, Maddock has delivered a cinematic gem with Sky Force.
The USP of Sky Force is undoubtedly its captivating background music and a soulful voice of B-Praak which adds a layer of emotion and depth competing the film’s patriotic vibe.